Bjanka Kadic Croatian, b. 1958

Bjanka Kadic is an artist and a photographer living in London. She graduated in photography from the University of Westminster (BA) and the University of the Arts (MA).

Kadic's photographic portfolio comprises a substantial compendium of images that have garnered widespread recognition, both domestically within the United Kingdom and internationally. Her body of work has found its way into an assortment of esteemed editorial outlets, spanning the gamut from UK-based publications to those with a global purview.

Her artistic exploration manifests as a contemplation of the dynamic metamorphosis inherent to our surrounding environments, be they urban landscapes or the more bucolic countryside. Kadic's discerning eye often captures the transmutative qualities of light, which she distills through a meticulously curated monochromatic aesthetic. Her visual compositions, characterized by an austere and uncluttered design, deftly accentuate the narrative enigma latent within the visual tableau. Her oeuvre is underpinned by a fascination with the evanescent nature of existence and the boundless potential for storytelling embedded within the medium of visual representation. It is within the confines of her imagery that form and space coalesce, giving rise to a distinct visual lexicon that constructs its own immersive narrative landscape.

Kadic's work has been showcased in numerous prestigious exhibitions over the years. Her participation in the 2007 Istanbul Photography Biennale marked a significant milestone in her career, highlighting her international recognition. Prior to that, her work was featured in the 2006 exhibition 'Twisted, Cognitive and Sublime' at Escape Art in London, further solidifying her presence in the vibrant London art scene. Kadic's artistic journey also includes exhibitions like 'Home and Abroad' at the Croatian Cultural Centre in London (2004) and 'Creative Awareness' at The West End Arts Centre in Aldershot (2003). Her exhibitions at esteemed venues such as Cotton Galleries in Bermondsey, London (2002) and 100 Park Lane in London (2000) have contributed to her well-established reputation in the art world. Additionally, her work has been included in publications like "Ta(l)king Pictures" (2004) by S. Williams, K. Newton, and C. Fehily, as well as "Engendering the City: Women artists and urban space" (1997) by Marsha Meskimmon, further emphasising the impact of her contributions to the field of photography.